"Unspecified" (adj. nicht einzeln angegeben,
nicht spezifiziert) heißt das erste Album, das Paul St.
Hilaire selbst produziert hat und auf seinem Label False Tuned
veröffentlicht. Den meisten dürfte er bisher als Tikiman
bekannt sein. Unter diesem Namen hat er wahre Klangperlen zusammen
mit Rhythm & Sound produziert. Auf "Unspecified"
lotet er Soul & Reggae auf der Basis des Dub in einer ähnlichen
Richtung aus wie das Duo aus Berlin. Klangforschung passt als
Bezeichnung bestens, wird hier doch mit einem Händchen
für Feinheiten ans Werk gegangen. Sparsam aber eindringlich
instrumentiert, bietet der Sound der wunderbaren Stimme von
Paul St. Hilaire eine hervorragende Basis für seine Songs.
Das Album besticht insgesamt sowohl durch seine Vielseitigkeit
als auch durch eine rundum erzeugte Homogenität. Die Musik
und die Lyrics stehen hier, ebenfalls wie bei Rhythm & Sound,
für sich. Der Künstler bleibt ein Mysterium und gibt
sich hier im Irie Ites-Interview getreu dem Motto "Reden
ist Silber, Schweigen ist Gold" wortkarg.
You called your first self-produced album "Unspecified".
If we take the name as being programmatic, then it is fairly
loose and open. Did you intend to deliberately keep the stylistic
characteristics of the music "unspecified"?
Yes. Said
way. My philosophy is not to stick on one style but to be open
to all good music. Of cause this refers for me personally to
my Caribbean roots, and this means culture.
If you
were asked to characterise the sound of the album, how would
you describe it?
Good sound.
It struck
me that the material on "Unspecified" has a lot in
common with the stuff that Rhythm & Sound and others have
produced with you. Would you agree?
None works
alone in our world today, everything is intertwined, everybody
is influenced by the things that surround them.
What
do you appreciate most about the two heads of Rhythm & Sound?
The one
head.
"Unspecified"
has been released on your own label "False Tuned".
Does the name have anything to do with the music on the album?
Everything
is everything.
Your
voice reminds me a little of Bim Sherman. And if you add the
music, then I immediately start thinking of his "Miracle"
album. Is he one of your heroes, and do you have any others?
Yes, Bim
was a very nice man as there a many others.
Your
music is far removed from the omnipresent bashment boom sound.
Does a quieter, more experimental sound have greater appeal
for you?
Well...
experimenting is the foundation of good sound.
In Germany,
the dub scene is relatively small compared to Britain. Why do
you think this is so?
Reggea music
is big everywhere and the media trying to deny that.
Currently,
there's a real dancehall hype going on. If you were to look
to the future: do you think there will be shift to dub and other
reggae styles?
Never know
come what may, me just a give JAH praise.
Does
the future hold projects with other artists on "False Tuned"?
Yes.
What
productions are you currently working on?
A few singles
and the second False Tuned CD. And of cause: my Dr.'s degree.
Interview: Karsten Frehe (09/03)
Foto: Frank Paul
Zum Irie Ites-Review geht's HIER!